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Stories: Emily & Sarah Collection

  • 1 day ago
  • 3 min read

Updated: 2 days ago

30 March 2026


After the Leo & Neil Collection, I'm turning toward another relationship dynamic with the Emily & Sarah Collection.


Emily & Sarah marks the third chapter in my STORIES series, made up of 35 hand-painted acrylic gouache miniatures paired with brief narratives. Like Leo and Neil, Emily and Sarah are parafictional personas, artistic constructions shaped by research, imagination, and intentional narrative craft rather than autobiography or documentary. They hold emotional truth without representing real individuals.


Given that gay and lesbian relationships remain less visible in art and culture, I've focused the first two STORIES series on these relationships. Relationship dynamics are universal, and anyone who's loved long enough to lose track of who they were before the relationship will recognise themselves in these 35 moments.


The Structure

Like the Leo & Neil Collection each piece pairs a brief two-sentence narrative with an abstract title, single words or short phrases that hint at deeper complexities without explaining them. Titles such as Surrender, Plural, Wet Solitude, Craving 1, and Baggage act as entry points into moments of subtle compromise, creating a lexicon of loss that accumulates across the collection. The collection alternates perspective: Sarah, then Emily, then Sarah again, creating a rhythm that mirrors how couples unconsciously synchronise.


These aren't dramatic ruptures but quiet accommodations to fit within the relationship: abbreviating conversation, tears hidden, accomplishments minimised, long walks shortened. The alterations feel reasonable in isolation, considerate, loving even. It's only in accumulation that the pattern reveals itself: two people methodically editing themselves down, mistaking the absence of conflict for intimacy, measuring love by what they've given up rather than what they've kept whole.


Emily wakes one morning, unable to remember who she was before, finding her partner Sarah is a stranger now, sleeping beside her. It's not anger or betrayal that surfaces, but profound disorientation: the recognition that two people can share a life while becoming fundamentally unknown to each other, and to themselves.


The collection doesn't offer an easy resolution. Ending with Chosen Impasse: Emily and Sarah choose each other over solitude, yet neither asks what else they've sacrificed for this choice. Some doors close gently.


Diminished, Emily & Sarah Collection - Abstract portrait of a face split vertically down the centre against a teal background. The left half is rendered in blue tones while the right half is bright orange.
The blue left side features a curved profile with a simple eye shape indicated by a darker blue oval. A small yellow triangular accent appears near the centre division. The right orange half shows a green almond-shaped eye and simplified features. Red lips are positioned at the bottom centre, spanning across both the blue and orange sections. The neck area continues the colour division, with blue on the left transitioning to dark blue-black and red sections on the right. The stark vertical split creates a face simultaneously unified and divided, each half distinct in colour and style yet forming a single portrait.
'Diminished', 24/35 Emily & Sarah Collection

The collection explores uncomfortable questions about the difference between compromise and disappearance, between intimacy and enmeshment, between choosing someone and losing yourself in the choosing.


The hard-won right to visible partnership for queer relationships can sometimes obscure the quieter losses within that partnership. Emily and Sarah aren't facing external oppression or family rejection. They struggle to navigate the subtler violence of good intentions, the ways caring deeply for someone can become indistinguishable from erasing yourself for them. The collection refuses easy answers: the reclamation stories aren't about leaving or ‘fixing’ the relationship, but about the harder work of staying while finding ways back to individual selfhood.


The collection invites viewers to locate themselves within these 35 moments: which story feels uncomfortably familiar? Which compromises have we made without noticing? Emily & Sarah doesn't offer resolution so much as recognition. It offers the difficult gift of noticing what love costs, what it preserves, and how we navigate the space between those two truths.


What's Next in STORIES

The STORIES series will continue exploring the emotional architecture of relationships through parafictional personas paired with compressed narrative forms. After Emily & Sarah, collections will address transitions and belonging, private spaces and safety, the impact of conspiracy beliefs on friends and families, and the lived experiences of drug use. Each collection uses the same format: abstract gouache miniatures paired with brief stories, creating permanent archives of intimate human experience on the blockchain.


Follow Along

Emily & Sarah launched Monday 30 March 2026. I create art to build awareness, understanding and community, rather than focusing on sales. My goal is to create work that resonates, that people want to follow, share, and discuss. If these themes speak to you, I'd love to have you along for the journey.


Follow on social media for updates:


Until then, stay tuned for glimpses into Emily and Sarah's world, the small moments where we lose ourselves, find ourselves, and choose each other anyway.


- Craig / Artipodean


First 8 of 35 artworks from the Emily & Sarah collection
First 8 of 35 artworks from the Emily & Sarah collection

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